嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈��
栽怩弌傍利 卦指云慕朕村 紗秘慕禰 厘議慕尺 厘議慕禰 TXT畠云和墮 〆辺茄欺厘議箝誓匂〇

the colour of life(伏凋岻弼)-及13何蛍

酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��



to   measure     their  remoteness     and   their  acts  with   his   own   magnificent 

measure。      But they were only men and demi´gods。               Thus they belong to 

him as he is now ´ a man�察�and not to him as he was once ´ a child。                 It was 

quite wrong to lay the child's enormous ten years' rule along the path from 

our   time   to   theirs�察  �that   path   must   be   skipped   by   the   nimble   yard   in   the 

man's present possession。 Decidedly the Argonauts are no subject for the 

boy。 

     What�察�then�拭      �Is the   record of the   race nothing but   a bundle of such 

little times�拭    �Nay�察�it seems that childhood�察�which created the illusion of 

ages�察�does actually prove it true。         Childhood is itself Antiquity ´ to every 

man     his  only   Antiquity。    The     recollection    of  childhood     cannot   make 



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Abraham old again in the mind of a man of thirty´five�察�but the beginning 

of every life is older than Abraham。 THERE is the abyss of time。                         Let a 

man turn to his own childhood ´ no further ´ if he would renew his sense 

of remoteness�察�and of the mystery of change。 

     For   in   childhood   change   does   not   go   at   that   mere   hasty   amble�察  �it 

rushes�察    �but   it  has   enormous      space    for  its  flight。    The    child    has   an 

apprehension not only of things far off�察�but of things far apart�察�an illusive 

apprehension when he is learning ;ancient; history ´ a real apprehension 

when      he   is  conning     his  own     immeasurable       infancy。     If   there    is  no 

historical      Antiquity     worth     speaking      of�察  �this    is  the    renewed      and 

unnumbered Antiquity for all mankind。 

     And   it   is   of   this   ´   merely   of   this   ´   that   ;ancient;   history   seems   to 

partake。     Rome was founded when we began Roman history�察�and that is 

why   it   seems   long   ago。     Suppose   the   man   of   thirty´five   heard�察  �at   that 

present   age�察  �for   the   first   time   of   Romulus。     Why�察  �Romulus   would   be 

nowhere。       But he built his wall�察�as a matter of fact�察�when every one was 

seven years old。        It is by good fortune that ;ancient; history is taught in 

the only ancient days。         So�察�for a time�察�the world is magical。 

     Modern history does well enough for learning later。                   But by learning 

something of antiquity in the first ten years�察�the child enlarges the sense of 

time for all mankind。         For even after the great illusion is over and history 

is   re´measured�察  �and   all   fancy   and   flight   caught   back   and   chastised�察  �the 

enlarged      sense   remains     enlarged。     The     man    remains     capable    of   great 

spaces of time。        He will not find   them in   Egypt�察�it is true�察 �but he   finds 

them within�察�he contains them�察�he is aware of them。                     History has fallen 

together�察    �but   childhood      surrounds     and    encompasses       history�察   �stretches 

beyond and passes on the road to eternity。 

     He has not passed in vain through the long ten years�察�the ten years that 

are   the   treasury   of   preceptions   ´   the   first。   The   great   disillusion   shall 

never shorten those years�察�nor set nearer together the days that made them。 

;Far apart�察─  �I   have said�察  �and that ;far   apart;   is wonderful。           The past of 

childhood   is   not   single�察  �is   not   motionless�察  �nor   fixed   in   one   point�察  �it   has 

summits a world away one from the other。                   Year from year differs as the 

antiquity   of   Mexico   from   the   antiquity   of   Chaldea。          And   the   man   of 



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thirty´five knows for ever afterwards what is flight�察�even though he finds 

no great historic distances to prove his wings by。 

     There      is  a  long    and    mysterious      moment       in  long    and   mysterious 

childhood�察  �which   is   the   extremest   distance   known   to   any   human   fancy。 

Many   other   moments�察  �many   other   hours�察  �are   long   in   the   first   ten   years。 

Hours   of   weariness   are   long   ´   not   with   a   mysterious   length�察  �but   with   a 

mere length of protraction�察�so that the things called minutes and half´hours 

by the elderly may be something else to their apparent contemporaries�察�the 

children。      The ancient moment is not merely one of these ´ it is a space 

not   of   long�察  �but   of   immeasurable�察  �time。       It   is   the   moment   of   going   to 

sleep。     The man knows that borderland�察�and has a contempt for it�此�he has 

long   ceased   to   find   antiquity   there。      It   has   become   a   common   enough 

margin of dreams   to him�察  �and he does not   attend to   its phantasies。                     He 

knows   that   he   has   a   frolic   spirit   in   his   head   which   has   its   way   at   those 

hours�察  �but   he   is   not   interested   in   it。 It   is   the   inexperienced   child   who 

passes   with   simplicity   through   the   marginal   country�察  �and   the   thing   he 

meets there is principally the yet further conception of illimitable time。 

     His nurse's lullaby is translated into the mysteries of time。                    She sings 

absolutely   immemorial   words。             It   matters   little   what   they   may   mean   to 

waking ears�察�to the ears of a child going to sleep they tell of the beginning 

of the world。        He has fallen asleep to the sound of them all his life�察�and 

;all his life; means more than older speech can well express。 

     Ancient custom is formed in a single spacious year。                      A child is beset 

with   long   traditions。       And   his   infancy   is   so   old�察  �so   old�察  �that   the   mere 

adding of years in the life to follow will not seem to throw it further back ´ 

it is already so far。       That is�察�it looks as remote to the memory of a man of 

thirty   as   to   that   of   a   man   of   seventy。 What   are   a   mere   forty   years   of 

added later life in the contemplation of such a distance�拭                   �Pshaw� �



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                                         EYES 



     There     is   nothing    described      with   so   little  attention�察   �with    such 

slovenliness�察�or so without verification ´ albeit with so much confidence 

and word´painting ´ as the eyes of the men and women whose faces have 

been made memorable by their works。                The describer generally takes the 

first colour that seems to him probable。             The grey eyes of Coleridge are 

recorded in a proverbial line�察�and Procter repeats the word�察�in describing 

from the life。      Then Carlyle�察�who shows more signs of actual attention�察�

and who caught a trick of Coleridge's pronunciation instantly�察�proving that 

with   his   hearing   at   least   he   was   not   slovenly�察  �says   that   Coleridge's   eyes 

were     brown     ´  ;strange�察  �brown�察    �timid�察  �yet  earnest´looking       eyes。;    A 

Coleridge   with   brown   eyes   is   one   man�察  �and   a   Coleridge   with   grey   eyes 

another   ´   and�察  �as   it   were�察  �more   responsible。  As   to   Rossetti's   eyes�察  �the 

various   inattention   of   his   friends   has   assigned   to   them�察  �in   all   the   ready´ 

made phrases�察�nearly all the colours。 

     So   with   Charlotte   Bronte。     Matthew  Arnold   seems   to   have   thought 

the most probable thing to be said of her eyes was that they were grey and 

expressive。      Thus�察�after seeing them�察�does he describe them in one of his 

letters。    Whereas   Mrs   Gaskell�察  �who   shows   signs   of   attention�察  �says   that 

Charlotte's eyes were a reddish hazel�察�made up of ;a great variety of tints�察─�

to be discovered by close looking。 Almost all eves that are not brown are�察�

in fact�察�of some such mixed colour�察�generally spotted in�察�and the effect is 

vivacious。      All the more if the speckled iris has a dark ring to enclose it。 

     Nevertheless�察�the eye of mixed colour has always a definite character�察�

and the mingling that looks green is quite unlike the mingling that looks 

grey�察�and among the greys there is endless difference。                 Brown eyes alone 

are apart�察�unlike all others�察�but having no variety except in the degrees of 

their darkness。 

     The   colour   of   eyes   seems   to   be   significant   of   temperament�察  �but   as 

regards beauty there is little or nothing to choose among colours。 It is not 

the eye�察�but the eyelid�察�that is important�察�beautiful�察�eloquent�察�full of secrets。 

The   eye   has   nothing   but   its   colour�察  �and   all   colours   are   fine   within   fine 



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eyelids。     The eyelid has all the form�察�all the drawing�察�all the breadth and 

length�察  �the    square   of   great   eyes    irregularly   wide�察   �the   long   corners    of 

narrow eyes�察�the pathetic outward droop�察�the delicate contrary suggestion 

of an upward turn at the outer corner�察�which Sir Joshua loved。 

     It is the blood that is eloquent�察�and there is no sign of blood in the eye�察�

but in the eyelid the blood hides itself and shows its signs。                   All along its 

edges   are   the   little   muscles�察  �living�察  �that   speak   not   only  the   obvious   and 

emphatic things�察�but what reluctances�察�what perceptions�察�what ambiguities�察�

what half´ apprehensions�察�what doubts�察�wha
卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��0��
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��