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part 2-及6何蛍
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room the children were sent to bed and Mrs。 Harsanyi
took Thea into the studio。 She and her husband usually
sat there in the evening。
Although their apartment seemed so elegant to Thea�察�it
was small and cramped。 The studio was the only spacious
room。 The Harsanyis were poor�察�and it was due to Mrs。
Harsanyi's good management that their lives�察�even in
hard times�察�moved along with dignity and order。 She
had long ago found out that bills or debts of any kind
frightened her husband and crippled his working power。
He said they were like bars on the windows�察�and shut out
the future�察�they meant that just so many hundred dollars'
worth of his life was debilitated and exhausted before he
got to it。 So Mrs。 Harsanyi saw to it that they never
owed anything。 Harsanyi was not extravagant�察�though he
was sometimes careless about money。 Quiet and order
and his wife's good taste were the things that meant most
to him。 After these�察�good food�察�good cigars�察�a little good
wine。 He wore his clothes until they were shabby�察�until his
wife had to ask the tailor to come to the house and mea´
sure him for new ones。 His neckties she usually made her´
self�察�and when she was in shops she always kept her eye
open for silks in very dull or pale shades�察�grays and olives��
warm blacks and browns。
When they went into the studio Mrs。 Harsanyi took up
her embroidery and Thea sat down beside her on a low
stool�察�her hands clasped about her knees。 While his wife
and his pupil talked�察�Harsanyi sank into a CHAISE LONGUE in
which he sometimes snatched a few moments' rest between
his lessons�察�and smoked。 He sat well out of the circle of the
lamplight�察�his feet to the fire。 His feet were slender and
well shaped�察�always elegantly shod。 Much of the grace of
his movements was due to the fact that his feet were almost
as sure and flexible as his hands。 He listened to the con´
versation with amusement。 He admired his wife's tact
and kindness with crude young people�察�she taught them
so much without seeming to be instructing。 When the
clock struck nine�察�Thea said she must be going home。
Harsanyi rose and flung away his cigarette。 ;Not yet。
We have just begun the evening。 Now you are going to
sing for us。 I have been waiting for you to recover from
dinner。 Come�察�what shall it be�拭─�he crossed to the piano。
Thea laughed and shook her head�察�locking her elbows
still tighter about her knees。 ;Thank you�察�Mr。 Harsanyi��
but if you really make me sing�察�I'll accompany myself。
You couldn't stand it to play the sort of things I have to
sing。;
As Harsanyi still pointed to the chair at the piano�察�she
left her stool and went to it�察�while he returned to his CHAISE
LONGUE。 Thea looked at the keyboard uneasily for a mo´
ment�察�then she began ;Come�察�ye Disconsolate�察─�the hymn
Wunsch had always liked to hear her sing。 Mrs。 Harsanyi
glanced questioningly at her husband�察�but he was looking
intently at the toes of his boots�察�shading his forehead with
his long white hand。 When Thea finished the hymn she
did not turn around�察�but immediately began ;The Ninety
and Nine。; Mrs。 Harsanyi kept trying to catch her hus´
band's eye�察�but his chin only sank lower on his collar。
;There were ninety and nine that safely lay
In the shelter of the fold��
But one was out on the hills away��
Far off from the gates of gold。;
Harsanyi looked at her�察�then back at the fire。
;Rejoice�察�for the Shepherd has found his sheep。;
Thea turned on the chair and grinned。 ;That's about
enough�察�isn't it�拭 �That song got me my job。 The preacher
said it was sympathetic�察─�she minced the word�察�remember´
ing Mr。 Larsen's manner。
Harsanyi drew himself up in his chair�察�resting his elbows
on the low arms。 ;Yes�拭 �That is better suited to your
voice。 Your upper tones are good�察�above G。 I must teach
you some songs。 Don't you know anythingpleasant�拭�
Thea shook her head ruefully。 ;I'm afraid I don't。 Let
me see Perhaps�察─�she turned to the piano and put her
hands on the keys。 ;I used to sing this for Mr。 Wunsch a
long while ago。 It's for contralto�察�but I'll try it。; She
frowned at the keyboard a moment�察�played the few in´
troductory measures�察�and began
;ACH�察�ICH HABE SIE VERLOREN�察�
She had not sung it for a long time�察�and it came back
like an old friendship。 When she finished�察�Harsanyi sprang
from his chair and dropped lightly upon his toes�察�a kind of
ENTRE´CHAT that he sometimes executed when he formed a
sudden resolution�察�or when he was about to follow a pure
intuition�察�against reason。 His wife said that when he gave
that spring he was shot from the bow of his ancestors�察�and
now when he left his chair in that manner she knew he was
intensely interested。 He went quickly to the piano。
;Sing that again。 There is nothing the matter with
your low voice�察�my girl。 I will play for you。 Let your
voice out。; Without looking at her he began the accom´
paniment。 Thea drew back her shoulders�察�relaxed them
instinctively�察�and sang。
When she finished the aria�察�Harsanyi beckoned her
nearer。 ;Sing AHAH for me�察�as I indicate。; He kept
his right hand on the keyboard and put his left to her
throat�察�placing the tips of his delicate fingers over her
larynx。 ;Again��until your breath is gone。 Trill
between the two tones�察�always�察�good� �Again�察�excellent��
Now up��stay there。 E and F。 Not so good�察�is it�拭 �F is
always a hard one。 Now�察�try the half´tone。 That's
right�察�nothing difficult about it。 Now�察�pianissimo�察�AH
AH。 Now�察�swell it�察�AHAH。 Again�察�follow my hand。
Now�察�carry it down。 Anybody ever tell you anything
about your breathing�拭�
;Mr。 Larsen says I have an unusually long breath�察�
Thea replied with spirit。
Harsanyi smiled。 ;So you have�察�so you have。 That
was what I meant。 Now�察�once more�察�carry it up and then
down�察�AHAH。; He put his hand back to her throat and
sat with his head bent�察�his one eye closed。 He loved to
hear a big voice throb in a relaxed�察�natural throat�察�and
he was thinking that no one had ever felt this voice vibrate
before。 It was like a wild bird that had flown into his
studio on Middleton Street from goodness knew how far��
No one knew that it had come�察�or even that it existed��
least of all the strange�察�crude girl in whose throat it beat
its passionate wings。 What a simple thing it was�察�he re´
flected�察�why had he never guessed it before�拭 �Everything
about her indicated it��the big mouth�察�the wide jaw and
chin�察�the strong white teeth�察�the deep laugh。 The machine
was so simple and strong�察�seemed to be so easily operated。
She sang from the bottom of herself。 Her breath came from
down where her laugh came from�察�the deep laugh which
Mrs。 Harsanyi had once called ;the laugh of the people。;
A relaxed throat�察�a voice that lay on the breath�察�that had
never been forced off the breath�察�it rose and fell in the
air´column like the little balls which are put to shine in the
jet of a fountain。 The voice did not thin as it went up��
the upper tones were as full and rich as the lower�察�pro´
duced in the same way and as unconsciously�察�only with
deeper breath。
At last Harsanyi threw back his head and rose。 ;You
must be tired�察�Miss Kronborg。;
When she replied�察�she startled him�察�he had forgotten how
hard and full of burs her speaking voice was。 ;No�察─�she
said�察 �singing never tires me。;
Harsanyi pushed back his hair with a nervous hand。
;I don't know much about the voice�察�but I shall take
liberties and teach you some good songs。 I think you have
a very interesting voice。;
;I'm glad if you like it。 Good´night�察�Mr。 Harsanyi。;
Thea went with Mrs。 Harsanyi to get her wraps。
When Mrs。 Harsanyi came back to her husband�察�she
found him walking restlessly up and down the room。
;Don't you think her voice wonderful�察�dear�拭─�she
asked。
;I scarcely know what to think。 All I really know about
that girl is that she tires me to death。 We must not have
her often。 If I did not have my living to make�察�then;
he dropped into a chair and closed his eyes。 ;How tired
I am。 What a voice� �
IV
AFTER that evening Thea's work with Harsanyi
changed somewhat。 He insisted that she should
study some songs with him�察�and after almost every lesson
he gave up half an hour of his own time to practicing them
with her。 He did not pretend to know much about voice
production�察�but so far�察�he thought�察�she had acquired no
really injurious habits。 A healthy and powerful organ had
found its own method�察�which was not a bad one。 He
wished to find out a good deal before he recommended a
vocal teacher。 He never told Thea what he thought about
her voice�察�and made her general ignorance of anything
酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何!
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