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The Masque of the Red Death



by Edgar Allan Poe







The ;Red Death; had long devastated the country。  No

pestilence had ever been so fatal�察�or so hideous。  Blood was its

Avatar and its sealthe redness and the horror of blood。  There were

sharp pains�察�and sudden dizziness�察�and then profuse bleeding at the

pores�察�with dissolution。  The scarlet stains upon the body and

especially upon the face of the victim�察�were the pest ban which

shut him out from the aid and from the sympathy of his fellow´men。 

And the whole seizure�察�progress and termination of the disease��

were the incidents of half an hour。



But the Prince Prospero was happy and dauntless and sagacious。 

When his dominions were half depopulated�察�he summoned to his

presence a thousand hale and light´hearted friends from among the

knights and dames of his court�察�and with these retired to the deep

seclusion of one of his castellated abbeys。  This was an extensive

and magnificent structure�察�the creation of the prince's own

eccentric yet august taste。  A strong and lofty wall girdled it in。 

This wall had gates of iron。  The courtiers�察�having entered��

brought furnaces and massy hammers and welded the bolts。  They

resolved to leave means neither of ingress nor egress to the sudden

impulses of despair or of frenzy from within。  The abbey was amply

provisioned。  With such precautions the courtiers might bid

defiance to contagion。  The external world could take care of

itself。  In the meantime it was folly to grieve�察�or to think。  The

prince had provided all the appliances of pleasure。  There were

buffoons�察�there were improvisatori�察�there were ballet´dancers��

there were musicians�察�there was Beauty�察�there was wine。  All these

and security were within。  Without was the ;Red Death;。



It was towards the close of the fifth or sixth month of his 

seclusion�察�and while the pestilence raged most furiously

abroad�察�that the Prince Prospero entertained his thousand friends

at a masked ball of the most unusual magnificence。



It was a voluptuous scene�察�that masquerade。  But first let me

tell of the rooms in which it was held。  These were sevenan

imperial suite。  In many palaces�察�however�察�such suites form a long

and straight vista�察�while the folding doors slide back nearly to

the walls on either hand�察�so that the view of the whole extent is

scarcely impeded。  Here the case was very different�察�as might have

been expected from the duke's love of the  bizarre。  The

apartments were so irregularly disposed that the vision embraced

but little more than one at a time。  There was a sharp turn at

every twenty or thirty yards�察�and at each turn a novel effect。  To

the right and left�察�in the middle of each wall�察�a tall and narrow

Gothic window looked out upon a closed corridor which pursued the

windings of the suite。  These windows were of stained glass whose

colour varied in accordance with the prevailing hue of the

decorations of the chamber into which it opened。  That at the

eastern extremity was hung�察�for example in blueand vividly blue

were its windows。  The second chamber was purple in its ornaments

and tapestries�察�and here the panes were purple。  The third was

green throughout�察�and so were the casements。  The fourth was

furnished and lighted with orangethe fifth with whitethe sixth

with violet。  The seventh apartment was closely shrouded in black

velvet tapestries that hung all over the ceiling and down the

walls�察�falling in heavy folds upon a carpet of the same material

and hue。  But in this chamber only�察�the colour of the windows

failed to correspond with the decorations。  The panes here were

scarleta deep blood colour。  Now in no one of the seven

apartments was there any lamp or candelabrum�察�amid the profusion of

golden ornaments that lay scattered to and fro or depended from the

roof。  There was no light of any kind emanating from lamp or candle

within the suite of chambers。  But in the corridors that followed

the suite�察�there stood�察�opposite to each window�察�a heavy tripod��

bearing a brazier of fire�察�that projected its rays through the

tinted glass and so glaringly illumined the room。  And thus were

produced a multitude of gaudy and fantastic appearances。  But in

the western or black chamber the effect of the fire´light that 

streamed upon the dark hangings through the blood´tinted panes��

was ghastly in the extreme�察�and produced so wild a look upon the

countenances of those who entered�察�that there were few of the

company bold enough to set foot within its precincts at all。



It was in this apartment�察�also�察�that there stood against the

western wall�察�a gigantic clock of ebony。  Its pendulum swung to and

fro with a dull�察�heavy�察�monotonous clang�察�and when the minute´hand

made the circuit of the face�察�and the hour was to be stricken��

there came from the brazen lungs of the clock a sound which was

clear and loud and deep and exceedingly musical�察�but of so peculiar

a note and emphasis that�察�at each lapse of an hour�察�the musicians

of the orchestra were constrained to pause�察�momentarily�察�in their

performance�察�to harken to the sound�察�and thus the waltzers perforce

ceased their evolutions�察�and there was a brief disconcert of the

whole gay company�察�and�察�while the chimes of the clock yet rang�察�it

was observed that the giddiest grew pale�察�and the more aged and

sedate passed their hands over their brows as if in confused

revery or meditation。  But when the echoes had fully ceased�察�a

light laughter at once pervaded the assembly�察�the musicians looked

at each other and smiled as if at their own nervousness and folly��

and made whispering vows�察�each to the other�察�that the next chiming

of the clock should produce in them no similar emotion�察�and then��

after the lapse of sixty minutes�察。�which embrace three thousand and

six hundred seconds of the Time that flies�撮� there came yet another

chiming of the clock�察�and then were the same disconcert and

tremulousness and meditation as before。



But�察�in spite of these things�察�it was a gay and magnificent

revel。  The tastes of the duke were peculiar。  He had a fine eye

for colours and effects。  He disregarded the  decora of mere

fashion。  His plans were bold and fiery�察�and his conceptions glowed

with barbaric lustre。  There are some who would have thought him

mad。  His followers felt that he was not。  It was necessary to hear

and see and touch him to be  sure that he was not。



He had directed�察�in great part�察�the movable embellishments of

the seven chambers�察�upon occasion of this great  fete�察�and it

was his own guiding taste which had given character to the

masqueraders。  Be sure they were grotesque。  There were much glare

and glitter and piquancy and phantasmmuch of what has been since

 seen in  ;Hernani;。  There were arabesque figures with

unsuited limbs and appointments。  There were delirious fancies such

as the madman fashions。  There were much of the beautiful�察�much of

the wanton�察�much of the  bizarre�察�something of the terrible�察�and

not a little of that which might have excited disgust。  To and fro

in the seven chambers there stalked�察�in fact�察�a multitude of

dreams。  And thesethe dreamswrithed in and about taking hue

from the rooms�察�and causing the wild music of the orchestra to seem

as the echo of their steps。  And�察�anon�察�there strikes the ebony

clock which stands in the hall of the velvet。  And then�察�for a

moment�察�all is still�察�and all is silent save the voice of the

clock。  The dreams are stiff´frozen as they stand。  But the echoes

of the chime die awaythey have endured but an instantand a

light�察�half´subdued laughter floats after them as they depart。  And

now again the music swells�察�and the dreams live�察�and writhe to and

fro more merrily than ever�察�taking hue from the many tinted windows

through which stream the rays from the tripods。  But to the chamber

which lies most westwardly of the seven�察�there are now none of the

maskers who venture�察�for the night is waning away�察�and there flows

a ruddier light through the blood´coloured panes�察�and the blackness

of the sable drapery appals�察�and to him whose foot falls upon the

sable carpet�察�there comes from the near clock of ebony a muffled

peal more solemnly emphatic than any which reaches  their ears

who indulged in the more remote gaieties of the other apartments。



But these other apartments were densely crowded�察�and in them

beat feverishly the heart of life。  And the revel went whirlingly

on�察�until at length there commenced the sounding of midnight upon

the clock。  And then the music ceased�察�as I have told�察�and the

evolutions of the waltzers were quieted�察�and there was an uneasy

cessation of all things as before。  But now there were twelve

strokes to be sounded by the bell of the clock�察�and thus it

happened�察�perhaps�察�that more of thought crept�察�with more of time��

into the meditations of the thoughtful among those who revelled。 

And thus too�察�it happened�察�perhaps�察�that before the last echoes of

the last chime had utterly sunk into silence�察�there were many

individuals in the crowd who had found leisure to become aware of

the presence of a masked figure which had arrested the  

attention of no single individual before。  And the rumour of this

new presence having spread itself whisperingly around�察�there arose

at length from the whole company a buzz�察�or murmur�察�expressive of

disapprobation and surprisethen�察�finally�察�of terror�察�of horror��

and of disgust。



In an assembly of phantasms such as I have painted�察�it may

well be supposed that no ordinary appearance could have excited

such sensation。  In truth the masquerade licence of the night was

nearly unlimited�察�but the figure in question had out´Heroded Herod��

and gone beyond the bounds of even the prince's indefinite decorum。 

There are chords in the hearts of the most reckless which cannot be

touched without emotion。  Even with the utterly lost�察�to whom life

and death are equally jests�察�there are matters o
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