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酔楯荷恬: 梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈 梓囚徒貧議 Enter 囚辛指欺云慕朕村匈 梓囚徒貧圭�鮗� ● 辛指欺云匈競何! 泌惚云慕短嗤堋響頼���誅卒亮茂�俊彭堋響��辛聞喘貧圭 "辺茄欺厘議箝誓匂" 孔嬬 才 "紗秘慕禰" 孔嬬��


ain�察�all goes to the fulfillment of the natural unhindered life of that one living being�此�for it was not possible for the single thing to be as if it stood alone�察�the final purpose could not serve to that only end�察�intent upon the partial�此�the concern must be for the whole to which each item is member�此�things are different both from each other and in their own stages�察�therefore cannot be complete in one unchanging form of life�察�nor could anything remain utterly without modification if the All is to be durable�察�for the permanence of an All demands varying forms。     33。 The Circuit does not go by chance but under the Reason´Principle of the living whole�察�therefore there must be a harmony between cause and caused�察�there must be some order ranging things to each other's purpose�察�or in due relation to each other�此�every several configuration within the Circuit must be accompanied by a change in the position and condition of things subordinate to it�察�which thus by their varied rhythmic movement make up one total dance´play。     In our dance´plays there are outside elements contributing to the total effect´ fluting�察�singing�察�and other linked accessories´ and each of these changes in each new movement�此�there is no need to dwell on these�察�their significance is obvious。 But besides this there is the fact that the limbs of the dancer cannot possibly keep the same positions in every figure�察�they adapt themselves to the plan�察�bending as it dictates�察�one lowered�察�another raised�察�one active�察�another resting as the set pattern changes。 The dancer's mind is on his own purpose�察�his limbs are submissive to the dance´movement which they accomplish to the end�察�so that the connoisseur can explain that this or that figure is the motive for the lifting�察�bending�察�concealment�察�effacing�察�of the various members of the body�察�and in all this the executant does not choose the particular motions for their own sake�察�the whole play of the entire person dictates the necessary position to each limb and member as it serves to the plan。     Now this is the mode in which the heavenly beings ��the diviner members of the All�А�must be held to be causes wherever they have any action�察�and�察�when。 they do not act�察�to indicate。     Or�察�a better statement�此�the entire kosmos puts its entire life into act�察�moving its major members with its own action and unceasingly setting them in new positions�察�by the relations thus established�察�of these members to each other and to the whole�察�and by the different figures they make together�察�the minor members in turn are brought under the system as in the movements of some one living being�察�so that they vary according to the relations�察�positions�察�configurations�此�the beings thus co´ordinated are not the causes�察�the cause is the coordinating All�察�at the same time it is not to be thought of as seeking to do one thing and actually doing another�察�for there is nothing external to it since it is the cause by actually being all�此�on the one side the configurations�察�on the other the inevitable effects of those configurations upon a living being moving as a unit and�察�again�察�upon a living being ��an All�А�thus by its nature conjoined and concomitant and�察�of necessity�察�at once subject and object to its own activities。     34。 For ourselves�察�while whatever in us belongs to the body of the All should be yielded to its action�察�we ought to make sure that we submit only within limits�察�realizing that the entire man is not thus bound to it�此�intelligent servitors yield a part of themselves to their masters but in part retain their personality�察�and are thus less absolutely at beck and call�察�as not being slaves�察�not utterly chattels。     The changing configurations within the All could not fail to be produced as they are�察�since the moving bodies are not of equal speed。     Now the movement is guided by a Reason´Principle�察�the relations of the living whole are altered in consequence�察�here in our own realm all that happens reacts in sympathy to the events of that higher sphere�此�it becomes�察�therefore�察�advisable to ask whether we are to think of this realm as following upon the higher by agreement�察�or to attribute to the configurations the powers underlying the events�察�and whether such powers would be vested in the configurations simply or in the relations of the particular items。     It will be said that one position of one given thing has by no means an identical effect´ whether of indication or of causation´ in its relation to another and still less to any group of others�察�since each several being seems to have a natural tendency ��or receptivity�А�of its own。     The truth is that the configuration of any given group means merely the relationship of the several parts�察�and�察�changing the members�察�the relationship remains the same。     But�察�this being so�察�the power will belong�察�not to the positions but to the beings holding those positions�拭    �To both taken together。 For as things change their relations�察�and as any one thing changes place�察�there is a change of power。     But what power�拭�That of causation or of indication�拭    �To this double thing´ the particular configuration of particular beings´ there accrues often the twofold power�察�that of causation and that of indication�察�but sometimes only that of indication。 Thus we are obliged to attribute powers both to the configuration and to the beings entering into them。 In mime dancers each of the hands has its own power�察�and so with all the limbs�察�the relative positions have much power�察�and�察�for a third power�察�there is that of the accessories and concomitants�察�underlying the action of the performers' limbs�察�there are such items as the clutched fingers and the muscles and veins following suit。     35。 But we must give some explanation of these powers。 The matter requires a more definite handling。 How can there be a difference of power between one triangular configuration and another�拭    �How can there be the exercise of power from man to man�察�under what law�察�and within what limits�拭    �The difficulty is that we are unable to attribute causation either to the bodies of the heavenly beings or to their wills�此�their bodies are excluded because the product transcends the causative power of body�察�their will because it would be unseemly to suppose divine beings to produce unseemliness。     Let us keep in mind what we have laid down�此    �The being we are considering is a living unity and�察�therefore�察�necessarily self´sympathetic�此�it is under a law of reason�察�and therefore the unfolding process of its life must be self´accordant�此�that life has no haphazard�察�but knows only harmony and ordinance�此�all the groupings follow reason�此�all single beings within it�察�all the members of this living whole in their choral dance are under a rule of Number。     Holding this in mind we are forced to certain conclusions�此�in the expressive act of the All are comprised equally the configurations of its members and these members themselves�察�minor as well as major entering into the configurations。 This is the mode of life of the All�察�and its powers work together to this end under the Nature in which the producing agency within the Reason´Principles has brought them into being。 The groupings ��within the All�А�are themselves in the nature of Reason´Principles since they are the out´spacing of a living´being�察�its reason´determined rhythms and conditions�察�and the entities thus spaced´out and grouped to pattern are its various members�此�then again there are the powers of the living being´ distinct these�察�too´ which may be considered as parts of it�察�always excluding deliberate will which is external to it�察�not contributory to the nature of the living All。     The will of any organic thing is one�察�but the distinct powers which go to constitute it are far from being one�此�yet all the several wills look to the object aimed at by the one will of the whole�此�for the desire which the one member entertains for another is a desire within the All�此�a part seeks to acquire something outside itself�察�but that external is another part of which it feels the need�此�the anger of a moment of annoyance is directed to something alien�察�growth draws on something outside�察�all birth and becoming has to do with the external�察�but all this external is inevitably something included among fellow members of the system�此�through these its limbs and members�察�the All is bringing this activity into being while in itself it seeks´ or better�察�contemplates´ The Good。 Right will�察�then�察�the will which stands above accidental experience�察�seeks The Good and thus acts to the same end with it。 When men serve another�察�many of their acts are done under order�察�but the good servant is the one whose purpose is in union with his master's。     In all the efficacy of the sun and other stars upon earthly matters we can but believe that though the heavenly body is intent upon the Supreme yet´ to keep to the sun´ its warming of terrestrial things�察�and every service following upon that�察�all springs from itself�察�its own act transmitted in virtue of soul�察�the vastly efficacious soul of Nature。 Each of the heavenly bodies�察�similarly�察�gives forth a power�察�involuntary�察�by its mere radiation�此�all things become one entity�察�grouped by this diffusion of power�察�and so bring about wide changes of condition�察�thus the very groupings have power since their diversity produces diverse conditions�察�that the grouped beings themselves have also their efficiency is clear since they produce differently according to the different membership of the groups。     That configuration has power in itself is within our own observation here。 Why else do certain groupments�察�in contradistinction to others�察�terrify at sight though there has been no previous experience of evil from them�拭�If some men are alarmed by a particular groupment and others by quite a different one�察�the reason can be only that the configurations themselves have efficacy�察�each upon a certain type´ an efficacy which cannot fail to reach anything naturally disposed to be impressed by it�察�so that in one groupment things attract observation which in another pass without effect。     If we are told that beauty is the motive of attraction�察�does not this mean simply that the power of appeal to this or that mind depends upon pattern�察�configuration�拭�How can we allow power to colour and none to configuration�拭�
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